Tomoo Gokita, Installation view, Blum & Poe, Los Angeles, 2018

Tomoo Gokita

Tomoo Gokita


May 15 – June 26, 2021
Los Angeles

Thirty Years:
Written with a Splash of Blood

January 13 – March 3, 2024
Los Angeles

At The Noyes House: 
Blum & Poe, Mendes Wood DM and Object & Thing

September 15 – November 28, 2020
The Eliot Noyes House, New Canaan

Tomoo Gokita

September 8 – October 27, 2018
Los Angeles

New Images of Man

Curated by Alison M. Gingeras
February 1 – March 14, 2020
Los Angeles

EYƎ, Masaho Anotani, Tomoo Gokita, Teppei Kaneuji, Chihiro Mori


June 15 – August 10, 2019


Musing | Tomoo Gokita

Tomoo Gokita

June 21, 2021


Tomoo Gokita (b. 1969, Tokyo, Japan) developed his signature style of monochromatic and greyscale painting from his career as a graphic designer in the late 1990s and early 2000s. Inspired by vintage magazines, film stills, pornography, and postcards, he produced a series of newsprint books, some of which gained cult status, such as Lingerie Wrestling (2000). Gokita’s penchant for pop culture immediately made him a celebrated figure within the fashion and music scenes, but the attention left him feeling creatively stifled. In 2005, he set aside graphic design entirely for the unconstrained artistic freedom of painting and drawing. From the beginning of his career as an artist, Gokita has worked in a broad but distinctive range of styles and subject matter. His pencil and ink drawings range from suburban scenes depicted in photorealistic detail to cartoonish renditions of wrestler masks. Earlier canvases from the late 2000s tend towards ethereal abstraction, be it writhing organic forms, tessellating geometric patterns, or heavily distorted figures isolated within ambiguous backgrounds. Whether the compositions are loose or tight, Gokita says, “There’s nothing haphazard, not even an accidental drip-in them.” In recent years, his piercing, psychologically charged paintings have portrayed subjects in sharper focus, yet, whether depicting wrestlers, starlets, dancers, or newlyweds, the artist shrouds these styled cultural types in an atmosphere of eerie anonymity. Some compositions seem grounded in specific art-historical references—ranging from Surrealism to post-war German figurative painting—yet are often imbued with the syntax of mainstream culture and its more obscure undercurrents. Viewers are left scavenging their memories for cultural indicators or contexts to complete the elusive, often inscrutable narratives before them.

Major recent museum solo shows include Get Down, Dallas Contemporary, Dallas, TX (2021); PEEKABOO, Tokyo Opera City Art Gallery, Tokyo, Japan (2018), and a retrospective, THE GREAT CIRCUS, Kawamura Memorial DIC Museum of Art, Sakura, Japan (2014). His work has also been featured in notable surveys such as Wonderful My Art, Kawaguchiko Museum of Art, Yamanashi, Japan (2013); The Unseen Relationship: Form and Abstraction, Kawamura Memorial DIC Museum of Art, Sakura, Japan (2012); Gateway: Japan, Torrance Art Museum, Torrance, CA (2011); New York Minute, MACRO Future Museum, Rome, Italy (2009); and Collected Visions, Pera Museum, Istanbul, Turkey (2009). In 2001 he was awarded Gold Prize at The Art Directors Club 80th Annual Awards, New York.

Selected Works


Tomoo Gokita: Get Down | Dallas Contemporary, Dallas, TX


ArtAsiaPacific: Tomoo Gokita at Blum & Poe, Los Angeles


Tokyo Art Beat: Peekaboo!


Elephant Magazine: 5 Questions with Tomoo Gokita


Art Asia Pacific: One Thousand Shades of Gray


Japan Times: Tomoo Gokita's Painterly Coup


Related Publications

Tomoo Gokita: Works Copyright

Tomoo Gokita: Get Down

Tomoo Gokita: Peekaboo

Tomoo Gokita: The Great Circus

New Images of Man

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