March Avery, Installation view, Blum & Poe, New York, NY, 2019

March Avery

March Avery

Quiet Inside

July 13 – August 30, 2024
Los Angeles

"Pictures Girls Make": Portraitures

Curated by Alison M. Gingeras
September 9 – October 21, 2023
Los Angeles

March Avery

The Family

July 16 – September 10, 2022

March Avery

November 14, 2020 – January 9, 2021
Los Angeles

March Avery

June 27 – September 14, 2019
New York


Broadcasts: Mutter, Matter, Mother

Organized by Naz Cuguoglu

April 2021

Broadcasts: March Avery's Watercolors

March Avery

November 2020

Screening | March Avery

March Avery

November 12, 2020

Broadcasts: Staff Selects

May 2020


“I knew I would be a painter. It never occurred to me that I would do anything else.”

March Avery was born in New York in 1932 to painters Milton Avery and Sally Michel. Guided by her famous father, she began painting as a child—although as she would tell it, “I think I was painting in utero.” She had her first solo exhibition in 1963. Now in her late eighties, the artist continues to work six days a week in her lifelong neighborhood, Greenwich Village. Avery’s oil paintings, sketches, and watercolors carry forward certain stylistic characteristics of the family oeuvre, what art historian Robert Hobbs has called the “Avery style”—flat picture planes, interlocking shapes, and a simplicity of forms—while distinguishing her output as all her own. Raised with the dividing line between life and art blurred, such is the subject matter of her work: quotidian domestic scenes, portraits of friends and family members, and landscapes visited and revisited over the course of a lifetime. 

The artist’s mastery of color brings life, immediacy of place, and emotional depth to her compositions. The striking 1985 oil on canvas work, Ruth in a Sling Chair, casts her sitter in shades of greens in an angular blazer of pink plaid. Lounging in a vermillion sculptural egg chair, the subject’s skin radiates in robin’s egg blue. A watercolor and gouache from 2009, Dead Sea, depicts bathers in an expanding pool of lilac waters, brushy swaths exposing sections of the white paper substrate below that transform into ripples of the sea’s surface. With the same intentionally non-heroic approach, the 2009 painting Town by the Nile explores the beauty of the landscape through its essential forms, with simplified gestures in soft hues. Avery’s depictions of these modest moments in life that carry life’s missives of deepest meaning are deliberately visually accessible, hovering in a space that is not overtly abstract nor distinctly figurative. Nature’s grandeur and the delicate emotions of human intimacy are rendered with an expert ability to collapse complex experiences and three-dimensional spaces into flattened topographies comprised of evocative shapes and forms.

March Avery (b. 1932, New York, NY) lives and works in New York. Her work is represented in public collections including the Brooklyn Museum, Brooklyn, NY; Bryn Mawr College, Bryn Mawr, PA; Chrysler Museum of Art, Norfolk, VA; Farnsworth Art Museum, Rockland, ME; Long Island Museum of American Art, History & Carriages, Stony Brook, NY; Newark Museum of Art, Newark, NJ; New Britain Museum of American Art, New Britain, CT; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Philadelphia Museum of Art, Philadelphia, PA; Vanderbilt University, Nashville, TN; Woodstock Artists Association & Museum, Woodstock, NY; among many others.

Selected Works


TOAST Magazine | March Avery, Depictions of an Endless Summer


Widewalls: March Avery’s Exhibition at Blum & Poe Captures Daily Scenes Shared with Close Friends or Family


Art Observed: March Avery at Blum & Poe through January 9th, 2021


March Avery Represented by Blum & Poe


Art in America: March Avery's Paintings


Art Critical: The Poetry of Sheer Loveliness


Related Publications

March Avery: A Life in Color

“Pictures Girls Make”: Portraitures

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