Kazunori Hamana, Yukiko Kuroda, Untitled, 2013-2020, ceramic, straw and Japanese lacquer. Photo: Noboru Murata

Kazunori Hamana

Kazunori Hamana 
in collaboration with Yukiko Kuroda

September 10 – October 23, 2021
Los Angeles

Thirty Years:
Written with a Splash of Blood

January 20 – March 10, 2024

Thirty Years:
Written with a Splash of Blood

January 13 – March 3, 2024
Los Angeles

Kazunori Hamana, Ooido Syoujou

November 21, 2020 – January 30, 2021

At The Noyes House: 
Blum & Poe, Mendes Wood DM and Object & Thing

September 15 – November 28, 2020
The Eliot Noyes House, New Canaan

5,471 miles

July 21 – August 8, 2020

Otani Workshop, Yuji Ueda, Kazunori Hamana

Curated by Takashi Murakami
March 3 – April 9, 2016
New York

Otani Workshop, Yuji Ueda, Kazunori Hamana

Curated by Takashi Murakami
September 11 – October 24, 2015
Los Angeles


Screening | Kazunori Hamana and Yukiko Kuroda

Kazunori Hamana, Yukiko Kuroda

September 9, 2021


“Clay is a natural thing; it changes. I don’t want to fight with nature, so I follow it.”

Kazunori Hamana was born in Osaka, Japan, in 1969 and grew up in Amagasaki, Hyogo Prefecture. Since his childhood, he has been driven to pursue a deep philosophical interest in the nature of how the universe functions on micro and macro levels. This awareness of impermanence and the transience of earthly things has guided his work and lifestyle. In this vein, Hamana left his home at the age of fifteen to stay with farmers in rural Hyogo Prefecture, working the land and caring for the livestock at a nearby agricultural school. After a period of studying in Humboldt County and San Diego, CA as a college student embedded in a hippie milieu, the artist found himself drawn back to his home country and his Japanese identity.  He later settled in a rural fishing village in Japan’s Chiba Prefecture, where he currently divides his time between working as an organic rice farmer, a fisherman, and an artist.

Hamana draws upon the ancient traditions of Japanese ceramics while cultivating new, inventive techniques in shaping, glazing, coloring, and firing. He makes large and delicate vessels out of natural clay sourced from Shiga Prefecture in Japan. Inspired by traditional Japanese tsubo, functional clay jars dating back to prehistoric times, he creates each sculpture by hand, making use of improvisation and experimentation. A self-taught ceramicist, Hamana incorporates a slow and gradual process, echoing the rhythm of his daily life in his rural surroundings. He considers these daily chores as paramount to his sustainable practice and his pursuit of truth. After the pots are fired, he places them outside of his studio, where they are left to accumulate impressions from the seasons changing. As these irregularly shaped objects continue their development on sun-drenched balconies washed over by the sea waves, in shady bamboo groves, or in his garden facing the mountain and his rice fields, the natural environment directs their transformation.

Hamana’s earthenware provides a contemporary look at Japan’s rich, long history of pottery, from ancient terra-cotta burial figures to everyday domestic objects. With surfaces sometimes fissured and peeling like parched earth, Hamana’s sculptures appear in various colors ranging from bone-white to smoky blue-grays; some featuring geometric and organic forms, stripes, symbols, and language. Channeling tradition through a contemporary lens, Hamana references human history and art history, including the practices of Cy Twombly, Alberto Giacometti, Isamu Noguchi, and Jackson Pollock—the result is a body of work imbued with the beauty of imperfection and the ephemeral.

Kazunori Hamana (b. 1969, Osaka, Japan) lives and works in Chiba, Japan. His work has been exhibited in public art institutions including the Headlands Center for the Arts, Sausalito, CA (2021); Towada Art Center, Towada, Japan (2017); and Yokohama Museum of Art, Yokohama, Japan (2016). His work has been showcased in two-artist exhibitions at Blum & Poe, Tokyo (2020, 2021) and a group exhibition at Blum & Poe, Los Angeles, CA, curated by Takashi Murakami, which later traveled to Blum & Poe, New York, NY (2015).

Selected Works


Stir World | Kazunori Hamana’s Dynamic Ceramic Vessels Highlight His Reverence for Tradition


WHAT Museum | WHAT Artist Interview: Kazunori Hamana


Tokyo Weekender: 10 Japan-Based Contemporary Ceramic Artists You Need to Know


Crafts: Blemished Beauties


GQ: Step inside Six of the Chillest Rooms on Earth


New York Times: On Japan’s Pacific Coast, an Artist Communes with Nature


Related Publications

Kazunori Hamana

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